I recently purchased a 60mm "Circle T" 700mm (f11.7) refractor off Craig's list. I have been giving it a workout and am somewhat startled by it.
The main thing I'm pondering is why it is so hard to see chromatic aberration in this thing. I had thought that you needed to be at f/15 to f/18 to control CA in an achromat. I have *seen* chromatic aberration in other achromats including an f/7 80mm Antares that I used to own. I have seen purple hazes around bright objects and odd colors round the moon.
Well right now I only have the comes-with 4mm and 23mm so I am limited to 30x and 175x. But I have done all the standard tests on this thing. I have looked at branches against bright blue sky at 175x and I have looked at the moon at 175x.
The bottom line is that it is *very hard* to make this scope show chromatic aberration. One must go considerably out of focus: many more cranks than, for example, my F/6.5 102mm ED Vixen.
Bottom line is that at 73x per inch this scope is much closer to the color control of the FS128 and the Vixen ED then it is to any of the more recent achromats I've used.
Obviously the focal length has a lot to do with it, but I'm wondering whether the small objective is also a factor. I guess I'm picturing in my head that a larger objective might put more rays in front of and behind the focus plane because the larger objective would have more of a curve.
Anyhow I'd appreciate some edification.....
thanks
Greg N
The main thing I'm pondering is why it is so hard to see chromatic aberration in this thing. I had thought that you needed to be at f/15 to f/18 to control CA in an achromat. I have *seen* chromatic aberration in other achromats including an f/7 80mm Antares that I used to own. I have seen purple hazes around bright objects and odd colors round the moon.
Well right now I only have the comes-with 4mm and 23mm so I am limited to 30x and 175x. But I have done all the standard tests on this thing. I have looked at branches against bright blue sky at 175x and I have looked at the moon at 175x.
The bottom line is that it is *very hard* to make this scope show chromatic aberration. One must go considerably out of focus: many more cranks than, for example, my F/6.5 102mm ED Vixen.
Bottom line is that at 73x per inch this scope is much closer to the color control of the FS128 and the Vixen ED then it is to any of the more recent achromats I've used.
Obviously the focal length has a lot to do with it, but I'm wondering whether the small objective is also a factor. I guess I'm picturing in my head that a larger objective might put more rays in front of and behind the focus plane because the larger objective would have more of a curve.
Anyhow I'd appreciate some edification.....
thanks
Greg N
"Scope will get you through times of no money better than money will get you through times of no scope." --Freewheelin' Franklin